Friday, October 22, 2010

The Remnants

Hello everyone. I'd like to present my first short story, "The Remnants." This story came around over the summer, after finishing Dostoevsky's Demons for my Russian civilization class in the spring. Between that a lengthy discussion with a friend over Hemmingway's The Sun Also Rises, I was inspired to write this. I'm not the biggest Hemmingway fan, but I am a big fan of Dostoevsky and Edgar Allen Poe, specifically the raw emotion and passion they put into their works. So, in a way, this is my response to Hemmingway. I finally finished it back at the end of September, and I even got it published (more on that in the next post). I hope you enjoy it.

A tale of the writer,
Nicholas Slayton

The Remnants

The fog hung low over the hillside, resisting the rays of the morning sun. Instead of fields of green, only gray could be seen. A few farmhouses could be seen through the haze and the trees, blurred monuments to the pastoral French countryside. Ravens cawed from the woods instead of the pleasant cries of songbirds. It was not a dead morning, not entirely, merely full of gloom, as if the land was mourning a lost loved one than dying itself.

It was a far cry from Paris. It was even a far cry from Nancy and the Lorraine province, only a few leagues north. Charlotte Miller surveyed the hillside, lips pursed as she tried to see beyond the haze. The town of Aubellet was said to have spectacular sunrises, but the gloom of this morning made her doubt that. She had arrived in the evening, catching only a glimpse of the ruby sunset, and had hoped to meet the morning in its full glory. So far she had only been met with disappointment.

“Still as gloomy as it was five years ago. Shame really.”

Charlotte peeled her gaze away from the gloom to look at her fiancé. Geoffrey Dryden stood behind her, sleeves rolled up and vest unbuttoned. With his crossed arms and direct stare he was the picture of English severity. Yet, even with his focused look, she could tell that the gray morning had left a mark on him. She noticed things about Geoffrey that others missed. For all of his severity, there was something broken about him. Then again, she felt the same way about herself.

“We were here for a week, Geoffrey, hardly time for a lasting impression,” Harry Brett retorted. “Besides, we are standing next to a damn river. That makes things a might foggy.”

To Harry’s left, James Fletcher nodded in agreement. Harry and James were an interesting pair. The two Americans seemed almost inseparable, at least for as long as Charlotte had known them. They had apparently met on the Army’s boat to Europe over a game of cards, and had stuck together since, despite their differences. Harry was the chatter, always ready to throw in a satirical comment or two, while James was far more dour and taciturn. They were Geoffrey’s friends, and she had known them as long as she had known him.

“Such a shame really, you boys were looking forward to this,” Elizabeth said. She clung to Harry’s arm, but her gaze was directed at James. Elizabeth Pollard was a siren; there was no other way around it. Ever since the war, Charlotte had watched her friend toy with the men around her, and the Americans were no different. Charlotte had heard some stories in Paris, but it was only on this trip that she had truly seen how Elizabeth could string men along.

“It’s nothing more than a memory of the past,” James said, looking back at Elizabeth.

“Come on,” Geoffrey said, turning away from the gray dawn and walking back to the country road. “There’s no point in staying here.”

Geoffrey walked solemnly down the road, the others trailing behind them. As the sun rose behind them, the land around them shifted from a foggy gloom to a lazy haze. On either side of the road, worn down by wagon wheels and carts, vines of grapes rose up. Aubellet was a town of vineyards, dotted by the occasionally chateau; ancient masters to the wines of the area. The sense of history in the area seeped through everything. For Charlotte, Paris was an old city filled with life; the new trends, the Brits and Americans looking to escape everything. Aubellet hung with the weight of its age on its shoulders.

They rounded a turn in the road and found themselves facing an old vineyard. The yards were withered, the grapes dead, and awash in the morning haze. Yet, farther away from the road and vines a rose garden flourished. It was filled with bright colors, standing vibrant even in the gray haze of the morning. The garden was a stark contrast to the chateau it surrounded. Standing tall on a rolling hill, the house was faded, its masonry worn and smoothed away. The spires of its roof were dilapidated and laced with cracks. Curtains hung in all the windows, and even the tiniest crack between them exposed nothing but blackness. It seemed abandoned, a twilight maw surrounded by a circle of life. When Charlotte saw it she stopped, shocked by the painful contrast of it all. Her eyes swept over the desolate manor, only to find a figure standing in the doorway.

The man was looking at the rose garden, not moving. He was too far to see in detail. Charlotte could see his clothes; he was dressed in an immaculate dark suit. She spotted a cane in one of his hands. His face was hard to make out, but his hair was pale, almost white. Without warning, the man turned, looking directly at Charlotte and the others. At that moment he came into detail. She could make out a glare on the man’s face and it sent a shiver down her spine. She stood frozen, unable to look away.

“Charlotte, are you okay?” The words snapped her out of her stupor. Geoffrey stood there, looking at her with concern while the others waited a farther up the road.

“I’m fine. Let’s go,” she said. She took one last look at the chateau before following the others. The man was gone.

***

The rest of the day passed without any conflict. The men continued their exploration of the countryside, memories of the war coming back with each locale. Charlotte was surprised by the seriousness of their efforts. James’ somberness no longer seemed aimless. Even Harry had avoided leaving a droll comment with every step.

Each man seemed different once they stopped to reminisce. For those moments, they seemed to channel the beings they were ten years ago. They took on a certain formality, a way of carrying themselves that was foreign to Charlotte and Elizabeth. Geoffrey had never ignored his title, but as Charlotte watched him framed in the fading light of the dusk, he seemed all the more noble in his bearing.

The trip had been Geoffrey’s idea, a way to get away from the city for a bit, and travel the countryside; three weeks away from Paris, heading east towards Lorraine before turning south to Marseille. The trip had started out fine, but once come across the locations the men remembered from the war, every so often things turned melancholy. It made Charlotte long for the bars and haunts of Paris. This sour turn did not please her. The men seemed to be almost different people. This Lord Dryden was not the Geoffrey she had chosen to marry. Thankfully it only lasted into the twilight of the evening. As they lay to rest for the night, Geoffrey was himself again, and a measure of comfort returned to Charlotte.

The following morning was free of the burden of the past. Their hotel was situated in the center of Aubellet, at the north end of the town square. Just opposite of the hotel, leading into a long street, was an open air market, already filled with cries of vendors hawking their goods and wares. The church bells of an old gothic cathedral chimed, ringing in the late morning as the penitent left the pews.

The travelers found themselves seated outside a café in the square. It was not yet noon and already three bottles lay empty on the table. The late breakfast was a casual affair, with a sampling of the local wines. Geoffrey and Charlotte leaned back in their wicker chairs, taking in the scenery. Harry was rambling away, all while Elizabeth listened intently. The louder American was her favorite today. For his part, James drank his wine quietly, looking at an old stone statue of Louis XIII in the center of the square. It had been erected years ago to commemorate a victory during the Thirty Years War, and it still stood, imposing and regal, a symbol of the history of the area.

Geoffrey sighed, setting his drink down. “It’s so strange, being back. Everything seems so vivid now, but we were here for so little time.”

“Do we have to talk about the war, dear?” Charlotte asked.

“Why not?” Geoffrey asked. “Isn’t that why we’re here, to see these old places again?”

“I thought we were here to see the countryside and get out of Paris for a bit. You know, to see something foreign.”

“We’re all expatriates dear, every part of France is a foreign to us as the next.”

“Not if we’ve spent the last few years living out of every bar and café in the city.”

“Time well spent,” Harry said, leaning towards the couple.

“Harry, you’re tight,” Elizabeth said playfully, giving the American a slap on the arm.

“Well love, I could be a lot worse,” he replied, feigning offence.

“He’s fine,” James said quietly from his chair, a small smile gracing his face. He had been silent for almost the entire day; at least since Elizabeth had chosen Harry as her companion for the day.

“I just want to have some fun, that’s all,” Charlotte whispered.

Geoffrey leaned towards her, trying to keep his words from reaching the others. “Charlotte, you know I just want to make you happy. I promise that we will do something soon. This has just been a…difficult few days for me. I’m sorry.”

He left a quick kiss on her cheek. Charlotte smiled in return, slipping her arm behind his waist and resting her head on his shoulder.

“Hang on,” Harry said. “Did it just get quiet here?”

The café had turned silent. Beyond their table, people leaned over their drinks, looking down the street with discomfort. They seemed overcome with apprehension, as if a sudden fear had grasped the people of Aubellet. Charlotte followed their gaze to the end of the market, and she saw what scared them. It was the man from the chateau.

He stood near a vendor, a bundle under his right arm. In his left hand he held his dark wooden cane. Charlotte realized he walked with a limp, his left leg faltering with each step. He walked away from the vendor, walking down the street, towards the café. He was dressed with immaculate care. His shirt was spotless, and he wore a dark cravat at his neck. Over it all was a long, gray coat. Even with the limp, the man walked with the air and look of a distant lord. The man held a somber grimace on his face, but once again Charlotte noticed something was odd about his eyes. His hair was shock white, paler than his face.

Charlotte watched the man walk past the café. As he passed, she saw into his eyes. She saw them only for the briefest moment, but at that moment she was able to see what had been odd about them. Despite his well-kept appearance, his eyes seemed like hollow circles in the center of his face. They were sunken and gray, almost dead. They stared out at the world passively, as if nothing caught the man’s attention. The two gray spheres were truly lifeless.

The blankness of his eyes was unnerving. Even before the man’s eyes swept past her, Charlotte impulsively turned away. There was something about the emptiness in his gaze that frightened her. She had always been fascinated with eyes. They were the true window into a person. No matter how someone acted, their true state could always be divined from the eyes. This limping man, with his dapper appearance and lordly bearing, was a dead man. He moved with a grave somberness, as if nothing was truly important. She leaned closer to Geoffrey, who wrapped an arm around her. She was afraid to turn around, afraid of whatever might happen if she stared into his eyes again.

After the man passed, a wave of whispers passed through the market. The travellers were confused by the incident. Aubellet was not some sort of Frankish Elysium, but it was as if the limping man had walked across the entire village’s grave. Charlotte thought back to the hike through the vineyards surrounding the town, and the dark chateau where she had first seen the man.

The time passed, and the man passed from their minds. Harry and Elizabeth eventually called for more wine. The travelers left a pile of francs on the table and left the café. They passed through the town square before ending up at the winery in the other side of the market. The store was a stone construction, cool on the inside with long wooden counters. Only one window let light in, the store was mostly dark. A few meats and cheese hung on the shelves behind the counters, while the rest of the storage space was reserved for the wine itself. Bottles lined the wall, and a door at the rear of the store led to a vast cellar of wine.

Gilles LaPadite sat behind his counter, a small glass of wine held idly in his hands. A solid man, the sommelier had a noticeable paunch around his midsection. His moustache was as gray as his hair. He was a gruff man, but honest and friendly. He also spoke English, something that made him quite popular to the travellers ever since they had arrived in Aubellet. When he saw them, he gave a nod of appreciation, turning towards his shelves for a pair of dark red wines.

As the bottles were opened and poured, the mood quickly returned to the laissez-faire attitude of the morning. LaPadite joined in on their conversation, engaging Geoffrey and James on a discussion of the fishing and hunting sites around Aubellet. The men grew excited and soon drew Harry into their plans. Charlotte took the opportunity to get the sommelier’s attention.

“Monsieur LaPadite,” Charlotte said, turning toward Gilles, “I was wondering if you could help me. There is a man in this town that seems strange. I have seen him twice since we arrived in this town, but everyone seems to stay away from him. He walks with a limp and has white hair, yet does not seem to be old. He is rather…striking.”

“Do you hear that Geoff?” Harry called from the other end of the bar counter. “Your fiancé has taken an interest in one of the locals.”

Geoffrey snorted, scoffing at the idea. “Please, don’t let your imagination run wild. Yes Monsieur LaPadite, indulge Charlotte’s curiosity.”

The sommelier rested an elbow on the counter, stroking his bushy whiskers. “Ah, d’Avout, now there is a harsh man. Hmm, this is a hard tale to tell. You gentlemen, I assume you fought in the war, yes?”

“Harry and I were part of the American Expeditionary Forces,” James replied. “And Geoff was with the British Army. We met in Belgium.”

LaPadite nodded, now scratching his stubbly chin. “Good, then you have some idea of the horrors of the war. It is amazing how much of a dead heat that fight was. Yet, some of the fighting stretched far more west than many expected. Head east for a few miles and you might find signs of an old battle, maybe a spent shell or the trampled remains of the site of an artillery strike.

“Regardless, this town has its history. There are five chateaus in the area, did you know that? On the north end of town, next to the river, there is the Chateau de Crépuscule. A decade ago it was an active place. The Vicomte d’Avout, the owner, was heavily engaged in cultivating the land. The Chateau was a major source of wine for years. However, the Vicomte died in 1914, just before the war broke out. His sons, Gaston and Philippe inherited the land, but by the next year, they were already fighting in the trenches. What happened after that, I cannot say, except that in January of 1920, Philippe d’Avout, the man Madame here is asking about, came back to Aubellet.

“It was a tumultuous return. D’Avout had left in good health, but he came back lame with his limping leg. He claimed the title of Vicomte d’Avout, declaring Gaston, the elder sibling, dead, and dismissed the servants and workers from the grounds. Since then, only he has inhabited the Chateau. No one ever stays there, and aside from coming into town for food, d’Avout never leaves. Surprisingly the place has not fallen apart, but it is just one man looking after it. It is faded and damaged, yes, but hardly in ruins. A gardener from town goes there every three weeks to tend to the flowers, but he says he never sees the Vicomte. When d’Avout comes into town, he is taciturn and somber. As you can imagine, with his attitude and the stir of his return, it only led to rumors.”

“What kind of rumors?” James asked.

LaPadite took the bottle of wine and poured himself a glass. He slowly took a sip before answering. “Rumors, hearsay, I personally give them no heed; they are just the speculations of overly imaginative people.”

“But there are rumors, and they are usually so interesting,” Elizabeth retorted. “What do people say about d’Avout?”

“Ah, there were many when he first returned. The chaos he created at Crépuscule set the town ablaze with rumors. Some were truly wild, but a few emerged as popular. Some people say that he killed Gaston during the war to inherit the chateau and is haunted by actions. Others said that he had taken up dueling in Germany, and gained his limp from a duel over a woman that he ultimately lost. These people have tried to cast him as some exotic adventurer, their ideas based more on fables than reality. Another theory is that the war took all interest in life from him and he joined the nihilist school of thought. Whatever he did, I do not know. However, I do know that every year since his return, on or near about the fifteenth of May, he comes to my shop and buy a large collection of wine. What he takes differs yearly, except for one thing. He makes sure that I have a bottle of 1897 Malbec. Every year he asks for that, without explanation. The fifteenth is fast approaching, and I expect him here at any time.”

The sommelier stopped to finish his wine, setting the small glass back on the counter when he was finished. He swept his gaze across the travelers, before settling on Charlotte. His voice, once dismissive, took a serious tone. “Philippe d’Avout is not a man to bother. He is troubled and distant. Soon after he returned, he once assaulted a man that questioned the goings on at Crépuscule and nearly killed him. Since then, he mostly avoids us, and we mostly avoid him. I suggest that you let him leave your thoughts and enjoy your time in Aubellet.”

LaPadite shifted the conversation back to the men’s plans to explore the countryside, leaving d’Avout a topic of the past. The wine continued to flow and the mood among the patrons eased. Charlotte smiled, but her mind flashed back to the dead stare of d’Avout. She wanted to put the image far from her mind, but it continued to unsettle her.

***

The sun hung directly overhead. Charlotte and Elizabeth sat at an outside table, sipping chilled wine from the nearby winery. A day had passed since d’Avout had passed through town. The men were now off somewhere, fishing and reminiscing about the war. That left the women to peruse the shops of Aubellet and amuse themselves, which only led them to LaPadite’s winery and a few carefully selected bottles.

Charlotte had chosen a simple dress and a small hat for the day, while Elizabeth wore pants and a jacket, a look that had become popular with the women of Paris. Charlotte rested her chin on her hand, looking at her friend.

“How do you do it?” she asked.

“Do what, dear?” Elizabeth said.

“Harry and James, how do you do it? You have been playing the two ever since we left. You seem to choose between them each day like you would a dress.”

Elizabeth broke into a coquettish laugh. “Oh that. Charlotte, it’s easy. Unlike you, I’ve never been married.”

“Are you saying I’m an old maid?”

“I’m simply saying that you went from poor Andrew to dear Geoffrey without much of a transition. You’ve missed out on quite a life in Paris.”

“I get as tight as you.”

“I don’t mean drinks, Charlotte. We are young and free, why shouldn’t we go and enjoy life?”

“Hmm, I see what you mean. Sometimes this whole thing seems like a blur. It’s a loss of innocence, but it’s so fulfilling. I just wish Geoffrey would embrace it.”

Elizabeth leaned over her drink with a look of concern on her face. “You aren’t happy with Lord Dryden?”

“He’s just been so moody lately. I’ll be honest, I’ll be happy when we leave this town.”

“I understand Charlotte,” Elizabeth replied with a smile. It faded a look of realization dawned on her face. “Oh dear, I’m so sorry, I left my purse back at the hotel. Can you wait here while I go get it?”

“Of course.”

“Good. And don’t drink all of the wine!”

Elizabeth hurried away from the winery, back towards the town square and their hotel. For her part, Charlotte sat idly by. She poured herself a full glass from the wine bottle, hoping it would last her while her friend was gone. She stared into the dark liquid, watching it swirl around inside the glass. She lost herself in there, her mind wandering.

“What do you mean by ‘a loss of innocence’?”

Charlotte jumped in her seat. She looked up from her wine. Philippe d’Avout stood in front of her, his cane in hand and that same dead stare in his eyes. Her hands instinctively gripped the edge of the table. His voice, there was something about it that scared her. It felt hollow and empty; just like his eyes.

She tried to speak, but found that she could not figure out what to say. Finally, after a moment of stammering, she asked, “I’m sorry, what did you say?”

D’Avout’s look changed. The glare abetted, but the dead face did not alter. He pulled out Elizabeth’s chair. “I am sorry; I could not but overhear what you were saying. Please, allow me to introduce myself. My name is Philippe d’Avout. May I sit down?”

Charlotte nodded. Her hands still gripped the table. There was something so unnerving about the man in front of her. What was it? Why did he frighten her?

“My name is Charlotte Miller,” she heard herself say.

“Hello Miss Miller,” d’Avout replied. “You are English, I take it?”

“Yes,” she said. “I am here with my fiancé and his friends.”

D’Avout nodded, then curtly spoke before she could say anything else. “Can you explain to me what you meant by a ‘loss of innocence?’”

Charlotte took a deep breath, trying to choose the right words. “It has to do with my fiancé. Or, you could say it has to do with the war. I was married once before. I knew him only briefly, it was arranged by my mother. I was young, and only three weeks after we married, he left for Holland. He died somewhere out there. It did not seem to affect me, he was just a person to me, not my husband.

“After that though, things just seemed to change. Once the war was over, I think we all just wondered what the point of it all is. What is the point of all of our morals and rules? That is how I ended up in Paris. We all seemed to drift there. We realized the pointlessness of it all, the naiveté we once had; my fiancé’s friends, my own. We could not live the same way our parents did. The old ways were done. It is time to just indulge and cast off that foolish innocence. We are all awake now.”

“Are you in love, mademoiselle?” d’Avout asked, almost at a whisper.

“I’m sorry, what?”

“Your fiancé, do you love him? Have you ever been in love?”

“I…I think I do,” Charlotte replied, her unnerve growing again.

“You are not in love.”

His voice was different. It was no longer just that somber formality. It was laced with something; anger? “If you were in love, you would feel it in your very core, there would be no doubt what it was.

“You talk about loss, but what do you know about loss? Who have you lost, your husband? You hardly knew him. Have you ever watched your family die? Did you see your brother blow up from an artillery barrage? Did you survive only because a German bullet tore through your leg, leaving you writhing on the ground in pain, only able to watch as he was engulfed in flames?”

D’Avout looked at her now, his face showing a hidden rage. His eyes were still blank, but the spiteful sneer he held on his mouth scared Charlotte. Her knuckles squeezed the table with all of their might.

“You talk about loss after the war, but what do you know? After I was injured I was cared for by a woman in Lorraine. Sophia. She tended to my leg, and she helped me accept my brother’s death. I fell in love with her. We married when the war ended.”

Charlotte could not look away from the comte’s face. His gaze seemed to see look through her. All she could do was sit and listen. Were those tears welling up in his eyes?

“We had been married only for three months when the Spanish influenza reached Lorraine. Sophia fell ill, as did her family. I remained in good health, only able to try to ease her pain. Have you ever felt that helpless? No, of course you have not. First her brother died, then her parents. Finally, it was just her. She asked me to be happy, give her a smile, and I could not. She wanted a family, and all I could do was watch her dream erode. Then she was gone, just like that. After a month of pain, she was gone, and I was alone. I still am.

“Do not talk to me about loss. I know your kind, you are all spoiled. You are nothing more than bored fools with no grasp on true tragedy. You have too much money and no idea what to do with it so you fake some wisdom and waste away in debauchery. So do not try and justify your life or lament on what has happened; you have no right to. I hate you and everyone like you.”

“Monsieur le vicomte.”

Charlotte jumped in her seat at the sudden interruption. D’Avout stopped, his scathing words cut off by LaPadite. The sommelier stood at the doorway of the winery, a case of bottles in his hands. His weary face betrayed a distrust as he looked at the seated comte. LaPadite extended the case to d’Avout. “Your order.”

D’Avout closed his eyes, masking his fury once more. He seemed frustrated at being cut off and forced to stop in his attack. He broke his glare away from Charlotte and stood up, cane in hand. He took the case from LaPadite without a word, simply handing him a handful of francs. Adjusting his cane, d’Avout limped away from the table.

LaPadite looked down at Charlotte. “Mademoiselle, are you okay?”

Charlotte nodded weakly. She wrenched her hands off of the table, surprised to find her knuckles white. She felt drained all over, almost in shock over what she had heard. D’Avout’s words had cut to her core. The hate she had seen on his face was horrific, far more terrifying than the dead stare that had fascinated her. What had she found? Even when Elizabeth returned from the hotel, Charlotte still had no idea what to think.

***

“Charlotte, are you ready?” Geoffrey asked from the doorway.

Charlotte looked up from her suitcase. She had packed everything up as soon as she returned to the hotel the night before. D’Avout’s words had left her in a state of panic. She had come back to her room unable to sleep. Geoffrey had tried to comfort her, but she just felt dirty, unsettled. She needed to get away, to just get as far from d’Avout and his accusations as possible.

Charlotte closed the suitcase and turned towards Geoffrey. “Yes, let’s go. When does the train get here?”

“We have half an hour. Then we’ll be on our way to Marseille,” he said, walking over to her. He wrapped his arms around her waist, but she walked away. “Charlotte, what’s the matter?”

“It’s nothing, I’m all right. I’m quite all right. Where are the others?”

Geoffrey hesitated, perturbed by her actions. After a pause, he replied, “They are meeting us at the station. Come on, let’s go.”

He grabbed her bag and followed her out the door. Geoffrey paid the bill and thanked their host. They walked out into the square, heading towards the train station on the north end of town. To Charlotte’s surprise, the usual crowd in the marketplace was gone, instead gathering around the old statue in the center of the square. She could make out a figure at the center of the circle, addressing the others, but she could not tell any details.

Geoffrey was similarly intrigued. He took her hand and led her toward the crowd. As they moved inward, pushing past a few onlookers, they could see the man at the center of the crowd. He was dirty, his hands and clothes stained by the soil. He was speaking with an animated voice, speaking out of shock and not worry. As the Englishmen approached, they were able to hear what he was saying.

“…the chateau was abandoned. It was just dust and fading paintings. He was in one of the few habitable rooms. A fire had died out in the hearth, and at least six empty wine bottles were strewn across the floor. And the ring! He had a ring on his finger. I’ve never seen it before. It was a gold wedding band.”

Geoffrey grabbed a nearby onlooker. The man turned towards him, upset at being pulled away from the story.

“That man, who is he?”

“Claude Chirac, a gardener of the area,” the Frenchman replied in a heavy accent.

“Who is he talking about?”

“The vicomte d’Avout.”

“What happened?”

“You don’t know? Chirac found the vicomte this morning. He hung himself.”

Charlotte felt her stomach knot. The words hit her hard. The noise of Chirac’s story faded around her. She felt the urge to run, just to get way. She had to leave Aubellet. She needed an escape. Charlotte tugged at Geoffrey’s sleeve.

“Let’s go,” she said.

“What?” Geoffrey asked, perplexed by her sudden plea.

“We just need to go, I can’t stay here anymore.”

Charlotte did not wait for a response. She would not stay anymore in the shadow of d’Avout’s words or the remnants of his memories. Chirac was describing the site of the corpse, but the words did not reach Charlotte’s ears. She turned and walked away.

Wednesday, April 14, 2010

Return to the Pen

Hello? Anyone still here? It's kind of dusty.

Okay, I want to apologize. I created this blog with the intent of regularly posting on it as a way to not only share my writing, but to motivate myself to write. Now it's been almost a month since my last post. I have no one to blame but myself on that one. So what happened? Well, a lot of things changed. My schedule became really busy, and classwork started piling up. A lot of other things changed too. Plans for the summer, relationships, and even priorities. So, now that I've dealt with all of that, I hope to get back to this blog, my writing projects, and my goal to actually be a published writer.

So what about my writing? I haven't written any new poems, but I am proud to say that I went to a poetry reading for the first time in years. I was insanely nervous, but I read "Wanderlust" and "Maybe," and to my surprise, everyone else liked it. It was very fulfilling. However, I'm ashamed to admit it, but my novel has not been touched upon in this last month. My goal for the rest of the year and the summer is to get a lot of work done on it. Like, actually complete a chapter. My admiration and bitter jealousy goes out to the writers who actually have the drive and energy to sit down and write. Sometimes I feel like a poser, claiming to be a writer, but not doing anything towards that claim. At least I have this: Study Day.

Study Day is my entry into a "blackout" film festival on campus. The idea behind the festival is that writers submit scripts, and the festival-runners blackout certain adjectives, locations, proper nouns, etc, so that the film production groups have to come up with their own ideas. It could be serious, it could be hilarious. I'll find out when the films screen on the 23rd. Study Day is my attempt at dissonant styles. Essentially, I wanted to take the tone and kinetic feel of a big budget action/adventure film and then place it in a context which made no sense: college students trying to find a book that guarantees a passing grade on the final. It's part satire, part subtle comedy, and part Bourne-style foot chase and fight scene. For those of you who do not go to USC, I apologize if any of the locations are hard to visualize. I hope you enjoy.

Study Day
By
Nicholas Slayton

EXT. MCCARTHY QUAD - NIGHT

It’s empty or nearly empty in McCarthy. A few people are out
by Trojan Grounds, but beyond that, not much.

SHAWN RUNS across McCarthy. In his hand is a bag filled with
3 books. He’s running as fast as he can, looking back over
his shoulder. There is someone chasing him. He keeps
running, jumping over a bag in his way.

He turns the corner, running onto Trousdale and running
towards a building. He throws open the doors and enters it.

INT. BUILDING - NIGHT

The building is lit. Shawn runs into a room with stairway.
He takes off to the second floor. At the top of the stairs
he looks back at the bottom of the stairs. He hears
footsteps, and takes off running again.

He runs down a hallway, turning a corner. He stops, leaning
against the wall. He turns around, leaning around the
corner. It’s empty. He’s safe.

Shawn exhales with relief. He starts to walk down the
hallway, bag in his hand. Things are good. He reached an
intersection of hallways.

Out of nowhere ALEX tackles him from the side, knocking the
two out of frame.
CUT TO:
BLACK FRAME
Text: STUDY DAY
FADE TO:
BLACK FRAME
Text: Earlier that day...
CUT TO:


INT. SGM - DAY
Alex walks out of a classroom, very stressed out. Behind him
a bunch of people file out, including MICHAEL and SHAWN.
Alex’s phone rings. He answers it.
CUT TO:
CHRIS is talking on his cell phone. He’s in a hoodie.
CHRIS
Hey Alex, what’s up?
CUT TO:
ALEX
Uh, I’m screwed, Chris.
CUT TO:
CHRIS
You should be happy man, classes
are done!
CUT TO:
ALEX
Yeah, but I am doomed.
CUT TO:
CHRIS
What, did Sarah cheat on you again?
CUT TO:
ALEX
(takes a step back from his
phone, confused)
What? No. Fuck you man. It’s my
Philosophy of Life class. The
final’s on the first day of tests,
and we are all screwed. It’s like,
impossible to pass.
CUT TO:
CHRIS
Ouch.
CUT TO:
ALEX
Yeah.
CUT TO:
CHRIS
Wait. What class is that?
CUT TO:
ALEX
Philosophy of Life. Why?
CUT TO:
CHRIS
I think I can help you out! My
friend Zack took that last
semester. He said that there was
this one book at Leavy that the
professor takes the entire test
from.
CUT TO:
ALEX
Oh that’s helpful. Wouldn’t
everyone in the class check it out?
CUT TO:
CHRIS
No! Nobody knows about it. Zack
only knew about it because he was
dating his TA.
CUT TO:
ALEX
What’s it called? If this works you
may be a lifesaver!
CUT TO:
CHRIS
"Everything You Wanted to Know
About Life But Were Afraid to Ask."
CUT TO:
ALEX
I’m going to get it tonight. Thank
you! I owe you so much.
CUT TO:
CHRIS
Eh, just send Sarah my way.
CUT TO:
ALEX
(pause)
Fuck you man.
Alex hangs up the phone. Even with the subtle insult, he’s
happy. He may have a chance of passing this apocalyptic
final.
CUT TO:
Chris hangs up the phone, shrugging. He walks into a
bathroom. He goes over to the sink, turning on the faucet to
splash to water on his face. He turns off the faucet and
looks up in the mirror.

Michael is standing behind him, glaring.
CUT TO:
INT. ROOM - DAY

Michael pulls a hood off Chris’s head. He’s tied to a chair
in a room. Michael and Shawn stand over him. Chris looks
around, with a nervous smile.
CHRIS
Umm...hey. What’s up?
SHAWN
Where’s the book?
CHRIS
What book?
SHAWN
You know what book I’m talking
about.
CHRIS
(Trying to get up)
Look, I threw out my Cannabis
Cultivator Guide two weeks ago. I
thought I told you guys that.

Michael puts a hand on Chris’s shoulder, forcing him back
into the chair.
MICHAEL
No no no. What my friend Mr. Wood
is trying to say is-
SHAWN
Wait, Mr. Wood? I though I was Mr.
Stone.
MICHAEL
(sighs in exasperation)
No man, I’m Mr. Stone. You’re Mr.
Wood.
SHAWN
But Mr. Stone is badass. Wood is
kind of bland.
Chris looks up at the two, confused.
MICHAEL
Look, Wood, Stone, whatever.
(To Chris)
What I’m trying to say is, where’s
the book for that Philosophy of
Life class?
CHRIS
(deadpan)
I have no idea what you could be
talking about.
MICHAEL
Hmm, okay, funny guy here. Look Mr.
Funny Man, you can tell me and my
friend Wood here-
(Shawn rolls his eyes)
-Or I can show you how painful dorm
room chairs can be when smashed
against your face. So, what’s your
pick?
CHRIS
(nervously)
Guys, it’s just a book. No need to
go all Liam Neeson on me.
SHAWN
Just a book?! This is a big test!
If I don’t pass this GE, I’m
screwed out of my 5 year plan!
CHRIS
5 year plan?
SHAWN
I’m an engineer, shut up.
MICHAEL
So, what’s it going to be? Tell us,
or Liam Neeson?

Chris gulps nervously.
CUT TO:
INT. LEAVY LIBRARY - NIGHT

Alex walks up to a help desk. The librarian on duty looks
up.
LIBRARIAN
What’s up? Need some help?
ALEX
Yeah, I was wondering where I could
find "Everything You Wanted to Know
About Life But Were Afraid to Ask?"
LIBRARIAN
Weird, you’re the second person to
ask for that tonight.
ALEX
Second guy? Was he kind of shady
looking? Wears a lot of hoodies?
LIBRARIAN
No, not at all. He’s --
(He looks up suddenly and
points)
--that guy!

Alex turns around, looking at the exit to McCarthy. Shawn is
walking out, a bag of books under his arm. Shawn stops,
looking around. He meets eyes with Alex. Alex glares. Shawn
glares. They hold their stares for a few seconds.
Then all of a sudden Shawn bolts out the door. Alex takes
off after him. The librarian looks around, confused.

LIBRARIAN
Well...okay then.
CUT TO:
EXT. MCCARTHY QUAD - NIGHT

Shawn runs across the Quad, looking back over his shoulder.
Alex is right behind him.
CUT TO:
EXT. TROUSDALE - NIGHT

Shawn runs onto Trousdale, almost sliding along the ground
from the quick turn, dashing southward. Alex makes a similar
turn, still chasing him.
CUT TO:
Shawn runs into the building.

INT. BUILDING - NIGHT

Shawn runs up the stairs.
CUT TO:
Shawn turns the corner in a hallway. He looks back. Nothing.
He sighs in relief, and walks to an intersection of
hallways.
CUT TO:
Alex tackles Shawn to the ground from the side. The two
slide a little across the ground. The bag of books falls a
little ahead of them. Alex reaches for it, but Shawn kicks
him away, hurriedly getting to his feet. Alex does the same.
The two men run at each other. They throw punches at each
other, blocking each one. After three rounds of that, Alex
punches Shawn in the face. Shawn kicks Alex in the back of
his leg, causing him to lose his balance. They stumble away
from each other.

They both charge at each other again. Shawn throws a punch at
Alex, who blocks it with his left forearm, before punching
Shawn in the face with his other arm. Shawn punches again,
Alex grabs his fist, but Shawn then pulls Alex towards him,
spinning around and slamming Alex into a wall. Alex
headbutts Shawn in the face. Shawn stumbles back, but
punches Alex in the face, knocking him to the ground.

Shawn reaches down to grab the bag, but Alex grabs him from
behind, knocking the bag to the ground. Shawn has one of the
books in his hand. Shawn pushes backwards, slamming Alex
against a wall. Alex lets go of Shawn, who spins around,
hitting Alex in the face with the book.

Alex falls to the ground, but before Shawn can do anything,
Alex kicks out, tripping Shawn and sending him to the ground
as well. The two scramble to their feet, Shawn using the
wall as support. The two stand up, and Shawn lunges at Alex
with the book, but before he can hit him, Alex kicks him
straight in the chest, sending Shawn stumbling backwards.
Alex lunges forward, punching Shawn in the face. He then
knees him in the stomach, before throwing him to the ground.
Shawn tries to get to his feet, but Alex kicks him in the
face. Shawn collapses.

Alex picks up the book from the ground, along with the bag.
He takes a step back, looking down at Shawn. He is utterly
angry, confused, and exhausted.

ALEX
(pause)
What the hell?

Alex leaves. Shawn is still there, unconscious.
CUT TO:
INT. SGM - DAY
CAPTION: The Day of the Final

Alex walks out of the room, unscathed and smiling. Chris is
there waiting.
CHRIS
Well, how’d the final go?

Alex grins. Michael and Shawn look over, glaring.
ALEX
You’re a lifesaver with that book.
Aced it!

The two high five.

CHRIS
Awesome! Want to get a drink?
ALEX
Yeah!
The two walk away.

The End.

A (horribly late) tale of the writer,
Nicholas

Tuesday, March 23, 2010

Two Poems for Tuesday

Here are a few new poems from me. The first I got the idea for while I was flying to San Francisco for Spring Break. Just the joys, the difficulties, and the excitement of traveling overwhelmed me. It made me think, why do we travel? Why do we find a thrill from some unknown place? The second I thought up today, during a panic of anxiety and doubt. I need to be more sure of myself, I guess writing this out is a cathartic release.

"Wanderlust"

The road winds on an on
And feelings pull even harder
Like a quiet mournful song
It draws me across borders
Through the fields, across oceans
Down dusty trails
Long since abandoned,
Haunted by ghostly gales
What drives us here,
To places now unknown
Is it a fear of the static
Or fear of being alone?
I'm caught by a grip
Is it excitement or fear?
This nervousness in me
Am I afraid of leaving what I hold dear?
Yet I'm drawn towards the road
Pulled towards what is far away
Be it silent plains and lonely towns
Or loud and bustling bays
If the road winds on
And I'm just a traveler,
Do I know what brings me down the road
Or am I just a wanderer?

"Concern"

Why am I nervous?
Things are going fine
Yet here I am, as hesitant as ever
I know things are well between us,
But I'm just a wreck
Maybe it's me
I've never been good at this
I've never had the company of someone like you
Okay, it's definitely me
I'm just afraid
Not of your or us
But of me
How do I not ruin things?
How do I not drive you away?
Things are so perfect right now
And I don't want them to pass
But I don't know how to ask you
If I'm good or am I bad
I want to stay, I don't want to go
Please give me a sign
I'm anxious, my mind is racing
I'm trying my best, but I'm just a mess
I second guess and doubt
I'm trying to stop, I'm trying to be free
Of the fear that grips me tightly
Things are so good,
So why I am nervous?

A tale of the writer,
Nicholas

Wednesday, March 17, 2010

Five Stories that Influenced the Writer

Whenever I've talked to anyone interested in writing, or any avid reader, the question always comes up: "what's your favorite book?" To writers and literary buffs, this is like choosing between de Havilland and Bacall, or Zepellin and The Who. It's not an easy question, and usually won't get a simple answer. There's a lot of "Well I'm in the mood for this..." or "If you're talking this genre..."

A few days ago, I was talking to a friend and much-more-successful-than-me writer and the question came up again. He settled for Dickens, but I was at a loss. So, here are my five favorite books of all time, the one's that have influenced me as a writer and entertained me as a reader.

5. The Dark is Rising Sequence by Susan Cooper
I owe this series of books a lot. I was 10 years old, wandering through my elementary school's library when I saw The Dark is Rising. Until then, I had passed the time reading kid mysteries like The Hardy Boys. I saw the title of this book, was intrigued, and picked it up. This was the novel that got me into serious reading. It was dense, think, and smart. I didn't understand all of it then, but I loved what I understood. I read the rest of the series, growing more enthralled as I went. This was a series with character development, mysticism, adventure, all told on an epic scale that never felt cliche. It was fantasy, but unlike most series today, even the excellent Harry Potter series, never felt dependent on tropes. And unlike, say, the Percy Jackson series, where mythology is a gimmick, Cooper weaved Arthurian and Celtic myths into the series, creating a unique mythos that felt natural instead of standing out to catch attention. I still reread this series, and now I get it.
4. American Gods by Neil Gaiman
Neil Gaiman may be British, but he crafted what is surely the Great American Novel. I've read The Great Gatsby; it's good, but it does not capture what America is the way American Gods does. It's an epic about immigration and assimilation, told through the filter of a road novel mixed with crime literature. The mix of genres fascinated me, and the direct, serious way Gaiman told the story really helped the novel. It works on so many levels: as a low key personal story of an ex-con, a tale about gods, and what it means to be an American. I would love to see this taught in high schools across the country.
3. Rex Mundi by Arvid Nelson
Okay, it's a comic book, but it's the best comic book of the last ten years, and the best mystery series you'll find. This is a story about the Holy Grail, only not the conventional cup story. You're probably thinking of The DaVinci Code. That was a lackluster thriller that gained fame only through controversy. Rex Mundi, which not only came before Dan Brown's book, is a smart murder mystery set in a 1930s Paris where magic is real, the Protestant Reformation never happened, and masked Inquisitors roam the streets. A political thriller, a murder mystery, a romance, all told through a noir filter that seques into an Indiana Jones-style adventure? Oh hell yes. The work Nelson put into the series really stands out. There's a good deal of world building going on, and it is really effective, from subtle differences to shocking alterations from our history. A compelling cast, brilliant art, and excellent buildup and payoff make Rex Mundi a must read, even if you aren't a comic book fan.
2. The Quiet American by Graham Greene
I love spy fiction, and I always have. From Ian Fleming's James Bond series to the sometimes-espionage Dirk Pitt books, dark alley meet ups, paranoia, and spy vs. spy action has been a favorite of mine. When I picked up Greene's 1950s Vietnam spy story, my perception of spy fiction was turned upside down. Here was a tale of terrorism, idealism, and cynicism told through a love triangle. It was realistic, without cliched espionage tropes. Greene was a force to be reckoned with; he was a king of characterization and character growth, and he could paint vivid locales, be it Vietnam or the Cuba of his great spy-comedy Our Man in Havana.
1. The Club Dumas by Arturo Perez-Reverte
Without a doubt, my favorite novel of all time. I came across this thanks to Roman Polanski's excellent, if different, adaptation The Ninth Gate. This is quite simply the book for bibliophiles. Books play a huge part in the story, both the adventure serials of Alexander Dumas and books on demonology. This is a story that plays with the characters and the reader, shifting between adventure and crime, all under the banner of a great gothic mystery. A "literary mercenary" is called into authenticate both a chapter of The Three Musketeers and book that may have been written in part by Satan. Soon bodies start piling up and characters seem to come to life from Dumas's classic. Is it the work of ordinary people, or is the Devil involved? Immensely satisfying, this is a book I reread constantly, and each time I find something new that I missed, a connection, a bit of foreshadowing, or a new insight to a character. This, more than any other book, has shaped my views as a reader and a writer, and if I could write a novel half as good as this, I would be thrilled.

A tale of the writer,
Nicholas

Sunday, March 7, 2010

Weekly Round Up and this Blog's First Poem!

Here is the first weekly round up of the blog. To keep this from just being my articles, I want to through in a poem or a music with each entry.

I write for USC's newspaper the Daily Trojan, with both Thursday's internet column and a variety of articles bearing my byline. These past two weeks I had some of my favorite articles published. One is a look at The Losers, a great comic by Andy Diggle that's been made into a movie that comes out in April. Anotheris a look at the blog culture that explores the hidden sides of Los Angeles. Thanks to Sean Percival of Lalawag for his help with that. And I got to write about blogging! How wonderfully fitting for this. http://dailytrojan.com/2010/03/03/comic-book-losers-get-their-own-action-flick & http://dailytrojan.com/2010/03/03/getting-to-know-l-a-the-online-way/ & http://dailytrojan.com/2010/03/10/blogging-provides-students-a-soapbox/

I also contribute to Dan Northern's excellent college-tip blog, College Thrive. I write the weekly drink column "Screw the Solo Cup." With Spring Break fast approaching, here's my recommendation for a wonderfully classic and tiki cocktail. http://collegethrive.com/drink-of-the-week-mai-tai

Now onto the poem. I haven't written poetry in a while, so this is a great time to get back into the practice of it. A word of warning, the poetry on this blog is going to be sentimental, maybe inane, irreverent, and sometimes very personal. This one, "Maybe," is my first poem in months. It's short, but very true. I've met a lot of great people recently, and one of them is truly awesome. You could say she was the muse for this one.

Maybe it’s the way you smile,
So truly happy
Without a care in the world
Maybe it’s the taste of your lips,
The sweetness you have
In the warmest embrace
Maybe it’s the words I can say,
How I can be honest
Knowing you’re listening
Maybe it’s the way I feel,
The nervousness of screwing this up
And upsetting you
Maybe it’s how much I want to be with you
When we’re together,
And even more when we’re apart
Maybe I’ll never know
Why I love you
But I do
And maybe that’s all I need
Since I’m with you


A tale of the writer,
Nicholas

Thursday, March 4, 2010

The Shape of Things to Come

So, now that this blog is up, what is going to be on here? Well, I work on the University of Southern California's newspaper the Daily Trojan, and I have a weekly column there, in addition to the other articles I write. So I was thinking about a doing a "weekly roundup" of my articles, every Friday or Saturday. I also want to put up information on some of the bigger projects I'm working on, as well as a few short stories, some poetry, and even my thoughts on writing as a whole.

To say that writing is a happy exercise is a bit of a rose-colored glasses. So many famous writers lived tragic lives, and met nasty ends. Hemingway, suicide. Byron lived in constant depression before dying of a violent illness. Don't even get me started on the Russian writers of the 1800s. The Pulitzer Prize winning writer J. Anthony Lukas once said "All writers are, to one extent or another, damaged people. Writing is our way of repairing ourselves." That may be one of my favorite quotations of all time. I went through a very rough time a few years ago, and while I turned my life around, I have not forgotten my past. I wouldn't say that I am haunted, but I carry that turmoil in me. And it fuels my writing.

You may be wondering, what exactly is he writing? Well, my main project is one which actively involves my past depression. I am working on a novel about a group of people tied together by past suicide attempts. It is a romance and character drama, told in the fog covered banks of the Siene, where self-doubt and fear cast a shadow over everyone, and loneliness runs deep. It is an extremely personal project, and a way to come to terms with a part of my life that I want to purge. In many ways it's difficult to write, but at the same time, very fulfilling. I will try to provide updates on it, maybe even an excerpt or two.

In addition to that story, I have a few ideas I'm working on. I've always been fascinated by gothic and religious horror, and I have an idea for a very dark comic book involving cults, secret societies, hidden secrets, and the occult. I am also working on an adventure novel in the style of Clive Cussler; something with history, action, exotic locations, and a good mystery and sarcastic, slightly jaded lead. It's been on the backburner for a while, but I'm starting to revamp a lot of my previous pages in it to get back into the main plot.

It's not much, but it's a plan. Writing is everlasting, highly personal, tormenting, and fulfilling. Writing is my passion.

A writer's tale,
Nicholas

Wednesday, March 3, 2010

A Prologue of Sorts

"You know what I want to think of myself? As a human being. Because, I mean I don't want to be like 'As Confucius say,' but under the sky, under the heavens there is but one family. It just so happens that people are different."
-Bruce Lee

A few years ago, I doubt I would be where I am. To be honest, I did not know if I would even be around. I was a wreck, both physically and emotionally. I was always the kid other people picked on in elementary school, all the way through high school. So I was basically going through my childhood with a fear of society, little self-confidence, and no faith in my works. I had, and still have, amazing parents who were always there for me, but my peers and my self-doubt ruined my childhood.

Three years ago I decided to change all of that. I don't know what the catalyst was that made me actually take action, but whatever it was, I owe it my sanity. I found a way to beat my depression. I turned myself around, and improved, be it physically, intellectually, or socially. I found a way to not fear people around me and instead make friends with them. I was able to get the fresh start that I've always wanted.

At the same time, I discovered a passion for writing. I always loved to read. Book, comics, poetry, and screenplays, all had been my solace during my childhood. Now I realized that I too could make the stories that I loved. Writing was an accessible outlet, a way to share my ideas and make something out of my dreams, imagination, and fantasies. And it wasn't just fiction. I took an interest in journalism, and started writing for my high school's newspaper. That only helped to improve my state of mind further. I was in a group of people with a shared passion, and we were encouraged to pursue it. The newspaper became my outlet, and it still is, even in college.

I still write fiction, or at least, I still try to. I have more than a few ideas for stories, some prose, some comic books, some even movies. Some are very personal to me, others are fun and adventurous. I want to write them all one of these days. I'm going to try to. And that's what led me here.

So, what do I hope to get out of this blog?

Well, I want this blog to be my place to share my ideas, to practice my writing, and to keep myself focused on my passions. I plan on putting a bunch of different pieces of writing-poetry, short stories, novel ideas, comic ideas, etc, as well as some thoughts on life, college, and the writing process.

Life is an endless novel, and this is my attempt to document it.

The first of many tales,
Nicholas